I remember going to see a museum exhibit of collagist and correspondence artist Ray’s Johnson’s work when I was a graduate student. The exhibit showed I was struck by his humor and the way he used visual and contextual symbols, like the bunny logo, words, and a series of images of Elvis collaged with other imagery to create a series of intimate layered portraits about his life.
Throughout his life, Johnson sent thousands of artworks through the mail. His humble pieces set the framework for a future generation of artists who would later distribute zines or web pages during the early internet days.
Regardless of the media he worked in, be it painting, photography, collage, or mixed, the language he used was coded. Johnson contributed to a number of art movements — Pop, Performance, and Conceptual Art, before he founded a mail art network known as the New York Correspondence School. Mail art (aka postal art and correspondence art) is an art movement based on sending small scale artworks through the postal service, like collage postcards.
After seeing Johnson’s exhibit, I was inspired to work with collage again and grew interested in layering them with image transfers that I studied in a printmaking class. I’ve always liked combining media and using both printmaking and photographic techniques to achieve a unique aesthetic to my art. Recently, I revisited Johnson’s correspondence artworks which led me to thinking about Marcel Duchamp’s, Robert Rauschenberg’s, and Jasper John’s collage art and the similarities/differences between their works.
I decided to turn my inspiration into a class on how to make mail art using basic collage techniques along with a simple image transfer technique using clear packing tape and vintage magazines (photocopies of photographs and illustrations work well too!). I recently launched the class on Skillshare (a global learning community to create, connect, and collaborate with students around the globe), which you can sign up for here if you like.
Earlier this morning, I discovered this cool mail art project between artists, Stefanie Posavec and Giorgia Lupi. Posavec lives in London; Lupi resides in New York. After meeting twice and discovering a mutual fascination with each other’s work, they started a year-long analog data-drawing collaboration project called Dear Data.
According to their Dear Data website, this is how the project works: “Each week, and for a year, we collected and measured a particular type of data about our lives, used this data to make a drawing on a postcard-sized sheet of paper, and then dropped the postcard in an English ‘postbox’ (Stefanie) or an American ‘mailbox’ (Giorgia)! Eventually, the postcard arrived at the other person’s address with all the scuff marks of its journey over the ocean: a type of ‘slow data’ transmission.”
Anyway, I’d love to see you in class and if you know other artsy types who might like to join you, spread the word and let’s make some mail art!
Until next time…
Some new Polaroid work of the sea. Made in pairs. Part 1, here.
Happy World Photo Day! Since it’s start in 2009, World Photo Day is an international photography event on August 19th that celebrates the passion for photography in our communities. Snap a photo and join the celebration.
Next set coming soon…
Mid-July, we’ve been to the ocean and back. I’ve been photographing two different series based on water. Titled The Swimmer, this series made on an iPhone, explores the idea of metamorphosis in water. Follow the series on my Instagram feed, if you like.
Hello! Happy summer, friends!
I’m jumping into all this color and light with a new stack of books and bag of film.
I have plans for you, for a new photo course on photographing light plus another beginner course on shooting film and I can’t wait!
In the meantime, join me over at the Photo Style Society on Facebook for today’s prompt on photographing light. I think you’re going to like it.
See you soon…
(shot in Wells, Maine with the Diana F+ on color slide film)
Polaroid sx-70 | Impossible Color Film
D and I traveled to New York last weekend for a quick getaway. We fit in La Bohème at the Met, a photo walk with the sx-70, brunch in the East Village, dinner in Hell’s Kitchen, impromptu yoga in a hotel lobby (yeah, I’m that lady), and writing time on the drive. I’m counting the days until we return.
This photo is part of a new still life series I’m been working on titled, Arrangements. Inspiration for this series comes from Pictorialism (an aesthetic movement and style of photography found in the late 19th and early 20th centuries in which the photographer would create an image rather than recording one) as well as sound, texture, pattern, and surface. Shot on 4×5 film and developed by hand in my darkroom. I’m offering prints for sale in my shop as well, if you’d like to take a look.